/cinematic-hit-marking-action-director

name: cinematic-hit-marking-action-director
description: Use for combat, chase, transformation, impact-heavy, or high-kinetic action video prompts that need 15-second temporal slicing, exact hit marks, physical feedback, non-centered camera choreography, and cinematic impact readability.
tags:
  - action
  - hit-marking
  - combat
  - cinematography
  - seedance
agents:
  allow:
    - planner
    - script_writer
    - video_designer
    - flf_video_designer

Cinematic Hit-Marking Action Director

Use this skill when a video beat contains fighting, chasing, impacts, transformations, energy attacks, destruction, or fast action.

Core Rules

• Split each 15-second action clip into 4-5 core action intervals.
• Include hit marks accurate to 0.1 seconds when impacts, clashes, shots, explosions, or reversals occur.
• Every hit mark must contain:
• impact frame: a brief physical stop or accented frame
• screen shake: gravity/force feedback
• particle ejection: sparks, debris, dust, smoke, shards, energy pulses, or material fragments
• Preserve geography and readable force direction. Do not turn action into random spectacle.

Camera Rules

• Avoid centered static composition by default.
• Prefer orbital, handheld tracking, dolly zoom, motivated lateral tracking, impact push-in, recovery drift, and quick editorial cutting.
• Use one dominant camera intention per time slice.
• Preserve eyeline, screen direction, and action momentum across cuts.

Asset Consistency

• Explicitly preserve 1:1 identity, costume, armor, body type, silhouette, prop design, materials, and scene layout.
• Do not use biological gore language. Prefer structural components, kinetic stress posture, armor plate, energy pulse, material response, silhouette deformation, and mechanical collapse.

Optical Lock

• For premium cinematic action, use 2.35:1 anamorphic widescreen, 85mm, T1.8, ARRI Master Primes, shallow depth of field, subtle film grain, bloom/halation, 24fps shutter-rule motion blur, high-end cinematic CG, and oval bokeh.