/compression

Reorganizes a memo, email, status update, or report so the bottom line is up front. Implements Kramon's BLUF (Bottom Line Up Front) rule. Use when a draft buries the lede, opens with context instead of conclusion, or builds up to the point with "organ music." Triggers on "BLUF,"

Rewrites blunt downward or peer feedback as "what I like plus what I would like," focused on the work rather than the person, ideally phrased as a question. Use whenever the user is drafting a performance review, a Slack message to a report, a 1:1 talking point, an HR

Finds the unexpected, dry, or self-deprecating angle that makes an email memorable. Turns "professional and polite" into "this person sounds like a real human." Use when a draft is technically correct but forgettable, when the user wants humor without slapstick, or when they

Rewrites section titles, slide titles, op-ed headlines, email subject lines, and chapter headings from category labels into bold arguable claims. Implements Constine's "punchy slide titles that tell the story" rule and Kingsbury's NYT Opinion guidance that headlines should make

Cuts cinematic details that don't serve the main point. The opposite move from vividness. Vividness adds sensory detail; this skill removes detail that's vivid but distracts from the argument. Use when a narrative paragraph has impressive sensory texture (sounds, colors,

Diagnoses drafts that tell three half-stories instead of one full story, and rewrites them around the single strongest narrative thread. Implements Konrad's rule 7 and Adam Bryant's "stay in your lane" advice — distinct from compression (which cuts words) because pick-a-lane