bluf-rewriter
Reorganizes a memo, email, status update, or report so the bottom line is up front. Implements Kramon's BLUF (Bottom Line Up Front) rule. Use when a draft…
Cuts a draft to a target word count without losing substance. Two modes behind one skill. target-count hits a specific number (200 for a cold email, 500 for an op-ed, 6 for a product summary). redundancy catches the specific failure where a phrase says what the verb or context
$ npx -y skills add kalyvask/winning-writing --skill compression --agent claude-codeHow it fires
How this skill gets triggered: by you, by Claude, or both.
/compressionContext preview
The summary Claude sees to decide when to auto-load this skill.
Cuts a draft to a target word count without losing substance. Two modes behind one skill. target-count hits a specific number (200 for a cold email, 500 for an op-ed, 6 for a product summary). redundancy catches the specific failure where a phrase says what the verb or context
name: compression description: Cuts a draft to a target word count without losing substance. Two modes behind one skill. target-count hits a specific number (200 for a cold email, 500 for an op-ed, 6 for a product summary). redundancy catches the specific failure where a phrase says what the verb or context already implied — "going forward" after a future-tense verb, "as I mentioned earlier," "reduce so they are smaller." Implements Kramon's "rewrite this in less than 100 words" exercise, the six-word summary drill, and the in-class redundancy exercise. Use when the user says "shorten this," "cut this," "tighten," "make it concise," "too many words," "going forward," "say it twice," "redundant." Pass --mode target-count|redundancy|both (default both) and --target-words N for target-count.
Source: `points/core-rules.md` rule 5 (be shorter), `points/banned-jargon.md` (wordy phrases), `points/frameworks.md` (six-word summary), and the Kramon in-class redundancy exercise.
> *"Be shorter. Always. Cut without losing substance."* — Kramon
Two modes behind one skill. They cut different things:
| Mode | Cuts | Use when | |---|---|---| | **target-count** | throat-clearing, hedges, weak sentences, anything between the draft and the word target | User has a length to hit (200 for cold email, 500 for op-ed, 6 for product summary) | | **redundancy** | phrases where one half is implied by the other (`going forward`, `as I mentioned`, `reduce so they are smaller`, `free gift`, `definitely commit`) | Draft is wordy in a way that's hard to point at — long without obvious filler |
Default `--mode both` runs redundancy first (it's surgical, every cut is defensible), then target-count (which may need to cut substantive material). The order matters: redundancy cuts free words first, so target-count doesn't have to.
/compression "draft text" /compression --mode target-count --target-words 200 "draft text" /compression --mode redundancy "draft text" /compression --mode both --target-words 500 "draft text"
Without `--mode`, default to `both`. `--target-words` is required for `target-count` mode and optional for `both` (if omitted in `both`, run redundancy only).
---
Most drafts can lose 30% with no loss of meaning. Many can lose 50%. Forced compression is what reveals which sentences were actually carrying weight.
**Level 1 — Cut 30% (standard pass)**
Tactics:
**Level 2 — Hit a target word count**
User gives a number (200 for cold email, 500 for op-ed, 100 for memo). Iterate:
1. Cut to 1.5× the target — easy passes only 2. Cut to 1.2× the target — harder; remove subordinate clauses 3. Cut to 1.0× the target — surgical; every word earns its place 4. Cut to 0.9× the target — leave room for one final addition
**Level 3 — Six-word summary**
The ultimate compression. One thing, six words, tells a story.
Run the user through: 1. What's the single most important thing about this? 2. Who is the protagonist? 3. What changed? 4. Draft. Score. Iterate.
Examples that work:
The rule: six words that tell a **story** — not six unrelated descriptors.
Compression is not amputation. **Keep:**
**Cut first:**
1. **First pass** — read aloud. Cross out any sentence you stumble over. Stumbles are usually sentences not earning their place. 2. **Second pass** — read again. For each surviving sentence, ask: *what changes if I delete this?* If nothing, delete.
---
A specific failure: a phrase that *feels* like it adds information when in fact it adds nothing. The verb or the surrounding context already implies it. Cut.
*"Going forward"* and *"moving forward"* after a future-tense verb.
| Redundant | Fixed | |---|---| | We promise better security going forward. | We promise better security. | | Moving forward, we'll offer encryption. | We'll offer encryption. | | In the future, all our hires will be technical. | All our hires will be technical. | | From this point onward, we'll improve. | We'll improve. |
The future tense already does the work. Add a tag only if you're contrasting with the past (*"unlike last quarter, we'll publish monthly going forward"* — fine).
The reader is reading it; they know.
| Redundant | Fixed | |---|---| | I am currently writing this email to you. | (cut entirely) | | As I said earlier, X. | X. | | As I mentioned in my last email, X. | X. | | The purpose of this memo is to argue that X. | X. (just argue it) | | What I will demonstrate in this section is X. | X. (then demonstrate it) |
The verb names the action; the result is implied.
| Redundant | Fixed | |---|---| | Reduce the size of teams so they are smaller. | Reduce the team. | | Increase headcount so we have more people. | Increase headcount. | | Lower the price so it costs less. | Lowe
31 Claude skills for cold outreach, op-eds, pitches, press inquiries, bios, exec memos, performance reviews, spoken-delivery talks, fact-checking, and reply-rate tracking.
Repo: kalyvask/winning-writing
Reorganizes a memo, email, status update, or report so the bottom line is up front. Implements Kramon's BLUF (Bottom Line Up Front) rule. Use when a draft…
Rewrites blunt downward or peer feedback as "what I like plus what I would like," focused on the work rather than the person, ideally phrased as a question.…
Finds the unexpected, dry, or self-deprecating angle that makes an email memorable. Turns "professional and polite" into "this person sounds like a real…
Rewrites section titles, slide titles, op-ed headlines, email subject lines, and chapter headings from category labels into bold arguable claims. Implements…
Cuts cinematic details that don't serve the main point. The opposite move from vividness. Vividness adds sensory detail; this skill removes detail that's vivid…
Diagnoses drafts that tell three half-stories instead of one full story, and rewrites them around the single strongest narrative thread. Implements Konrad's…