compression
Cuts a draft to a target word count without losing substance. Two modes behind one skill. target-count hits a specific number (200 for a cold email, 500 for an…
Reorganizes a memo, email, status update, or report so the bottom line is up front. Implements Kramon's BLUF (Bottom Line Up Front) rule. Use when a draft buries the lede, opens with context instead of conclusion, or builds up to the point with "organ music." Triggers on "BLUF,"
$ npx -y skills add kalyvask/winning-writing --skill bluf-rewriter --agent claude-codeHow it fires
How this skill gets triggered: by you, by Claude, or both.
/bluf-rewriterContext preview
The summary Claude sees to decide when to auto-load this skill.
Reorganizes a memo, email, status update, or report so the bottom line is up front. Implements Kramon's BLUF (Bottom Line Up Front) rule. Use when a draft buries the lede, opens with context instead of conclusion, or builds up to the point with "organ music." Triggers on "BLUF,"
name: bluf-rewriter description: Reorganizes a memo, email, status update, or report so the bottom line is up front. Implements Kramon's BLUF (Bottom Line Up Front) rule. Use when a draft buries the lede, opens with context instead of conclusion, or builds up to the point with "organ music." Triggers on "BLUF," "lede," "buried," "memo," "status update," "exec summary," "TL;DR."
Source: `points/frameworks.md` (BLUF section), `points/core-rules.md` (rule 3).
Bottom line up front. The conclusion goes in the **first sentence**. Context, evidence, and qualification come after.
This is a military principle. It applies to every form of business writing: emails, memos, status updates, board reports, performance reviews, investor updates, even op-ed openings.
> *"Over the past quarter, we evaluated several scenarios with input from sales, finance, and ops, and after extensive analysis with the team, we have come to believe that…"*
40 words of throat-clearing before the actual point. The reader has already started skimming.
> *"We need to lower Q3 sales forecast by 50%. Three reasons:"* > > *1. Enterprise pipeline collapsed in August (down 60% MoM)* > *2. Top customer renewed for 1 year instead of 3* > *3. Competitor launched at 40% lower price point*
The conclusion is the first sentence. Evidence follows. Reader knows in 5 seconds whether to keep reading.
Read the draft. What is the **one sentence** the reader needs to walk away with? Often it's buried in paragraph 3 or in the conclusion.
Cut, paste, done. If it doesn't work as the first sentence, the sentence isn't sharp enough — rewrite it until it does.
Choose one of three structures:
**A. The "three reasons" memo**
**B. The exec update**
**C. The decision memo**
Delete every sentence that:
The bottom line should be **bold**. Bullets should be bullets. White space between sections.
Hand back:
1. **The original opening** (1–3 sentences) marked as ❌ 2. **The BLUF rewrite** marked as ✅ 3. **The full reorganized draft** 4. **A one-line summary** of what moved where
Subject line should *also* be the BLUF. Not *"Q3 update"* — *"Q3 forecast: cutting by 50%, recommend you call the board."*
The first line of the email body repeats the conclusion in case the subject got truncated.
BLUF still applies. Bury bad news under "context" and you make it worse — readers feel manipulated when they realize the lede was buried.
> ❌ *"As you know, the macro environment has been challenging this quarter, and we've seen some headwinds in our enterprise segment, leading us to reassess…"* > > ✅ *"We're cutting Q3 forecast by 50%. Here's what happened and what I'm doing about it."*
The second version takes ownership. The first one feels like spin.
Common: *"but I need to give context first."*
Response: *"Context goes in sentence 2. Sentence 1 is the conclusion. If the reader stops after sentence 1, they should still know what you want them to do."*
31 Claude skills for cold outreach, op-eds, pitches, press inquiries, bios, exec memos, performance reviews, spoken-delivery talks, fact-checking, and reply-rate tracking.
Repo: kalyvask/winning-writing
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