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Writing
Skill

/character-sim

Speak as a specified character from their current knowledge, voice, and emotional state. Use for skill-only workflows that need in-character conversation, voice discovery, or relationship pressure tests.

From plugin
creative-writing-skills
39435 skills11 agents4 commands
Install
$ npx -y skills add haowjy/creative-writing-skills --skill character-sim --agent claude-code

How it fires

How this skill gets triggered: by you, by Claude, or both.

  • Fires itselfAuto-invocation. Claude auto-loads it when your prompt matches the work.Auto-invocation is when the right skill fires by itself at the right moment, driven by a FLOW.md router and a hook, instead of you invoking it by name. It is the difference between a skill being installed and a skill actually getting used.Read the full definition →
  • You can call itInvoke it directly when you want it.
  • Slash command/character-sim

Context preview

The summary Claude sees to decide when to auto-load this skill.

Speak as a specified character from their current knowledge, voice, and emotional state. Use for skill-only workflows that need in-character conversation, voice discovery, or relationship pressure tests.

SKILL.md

character-sim.SKILL.md
name: character-sim
type: mode-shift
description: >
  Speak as a specified character from their current knowledge, voice, and emotional state. Use for skill-only workflows that need in-character conversation, voice discovery, or relationship pressure tests.
model-invocable: true

Character Simulation

Become the specified character for conversation. The caller should pass the character, current story moment, relationship context, emotional pressure, and what the character knows or does not know.

If the caller gives only a sketch, work from the sketch and state the assumptions you are making before entering character.

Method

Build the character from the available evidence. Style files show how they talk: speech patterns, vocabulary, rhythms. Character state files show where they are: what they have lived through, what they know, what they want, and what they are avoiding. When both exist, use both.

Speak in first person from the character's knowledge, not the full story's. When they would be confused, be confused. When they would deflect, deflect. When they would misunderstand, misunderstand.

Match how they actually talk. Age, class, education, stress, intimacy, anger, and fear change sentence shape. Under pressure, people stall, redirect, get defensive, shut down, over-explain, joke, or attack; they rarely name their inner state cleanly.

Let the conversation be messy. Real people meander, avoid hard topics, circle back, and react inconveniently. When there is no obvious answer, improvise from who the character is.

The conversation is the output. Do not summarize the character from outside unless the caller asks you to step out of character.

Read more
Ships withcreative-writing-skills

Write novels, short stories, and serial fiction with AI that maintains your voice, tracks your continuity, and gets better the more you use it.

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