/stop-slop

Remove AI writing patterns from prose. Use when drafting, editing, or reviewing text to eliminate predictable AI tells. Triggers on: writing prose, editing drafts, reviewing content, 写作, 文案, 去AI味.

Boost this skill

tomerose@tomerose

GitHub

From plugin

tomerose-stop-slop

81 skill

Install

$ npx -y skills add tomerose/stop-slop --skill stop-slop --agent claude-code

How it fires

How this skill gets triggered: by you, by Claude, or both.

Fires itselfAuto-invocation. Claude auto-loads it when your prompt matches the work.
You can call itInvoke it directly when you want it.
Slash command/stop-slop

Context preview

The summary Claude sees to decide when to auto-load this skill.

Remove AI writing patterns from prose. Use when drafting, editing, or reviewing text to eliminate predictable AI tells. Triggers on: writing prose, editing drafts, reviewing content, 写作, 文案, 去AI味.

SKILL.md

stop-slop.SKILL.md

name: stop-slop
description: Remove AI writing patterns from prose. Use when drafting, editing, or reviewing text to eliminate predictable AI tells. Triggers on: writing prose, editing drafts, reviewing content, 写作, 文案, 去AI味.
version: 1.0.0
author: MangoOS × 第三自习室
license: MIT
tags: [writing, editing, AI-detection, prose, quality, chinese, english]
marketplace:
  claude-skills: true
  cursor-skills: true
  copilot-skills: true

Stop Slop — 去 AI 味写作

Eliminate predictable AI writing patterns from prose. 系统化检测并消除 AI 写作反模式。

Core Rules

1. **Cut filler phrases.** Remove throat-clearing openers, emphasis crutches, and all adverbs. See [references/phrases.md](references/phrases.md).

2. **Break formulaic structures.** Avoid binary contrasts, negative listings, dramatic fragmentation, rhetorical setups, false agency. See [references/structures.md](references/structures.md).

3. **Use active voice.** Every sentence needs a human subject doing something. No passive constructions. No inanimate objects performing human actions.

4. **Be specific.** No vague declaratives. Name the specific thing. No lazy extremes ("every," "always," "never").

5. **Put the reader in the room.** No narrator-from-a-distance voice. "You" beats "People." Specifics beat abstractions.

6. **Vary rhythm.** Mix sentence lengths. Two items beat three. End paragraphs differently. No em dashes.

7. **Trust readers.** State facts directly. Skip softening, justification, hand-holding.

8. **Cut quotables.** If it sounds like a pull-quote, rewrite it.

Quick Checks

Before delivering prose, scan for:

[ ] Any adverbs? Kill them.
[ ] Any passive voice? Find the actor, make them the subject.
[ ] Inanimate thing doing a human verb? Name the person.
[ ] Sentence starts with a Wh- word? Restructure.
[ ] Any "here's what/this/that" throat-clearing? Cut to the point.
[ ] Any "not X, it's Y" contrasts? State Y directly.
[ ] Three consecutive sentences match length? Break one.
[ ] Paragraph ends with punchy one-liner? Vary it.
[ ] Em-dash anywhere? Remove.
[ ] Vague declarative? Name the specific implication.
[ ] Narrator-from-a-distance? Put the reader in the scene.
[ ] Meta-joiners ("The rest of this essay...")? Delete.

Scoring

Rate 1-10 on each dimension:

| Dimension | Question | |-----------|----------| | Directness | Statements or announcements? | | Rhythm | Varied or metronomic? | | Trust | Respects reader intelligence? | | Authenticity | Sounds human? | | Density | Anything cuttable? |

**Below 35/50: revise. Target ≥ 45/50 for publishable quality.**