/prose-revision-skill-ht-anthony-lee-zhang
Revise draft prose by finding the best structure for the ideas the user already wants to express. The goal is clear logical movement supported by natural, elegant language: idea flow first, linguistic flow second. Prose revision is different from proofreading. Prose revision
$ npx -y skills add Gabberflast/prose-revision-skill-ht-anthony-lee-zhang --skill prose-revision-skill-ht-anthony-lee-zhang --agent claude-codeHow it fires
How this skill gets triggered: by you, by Claude, or both.
- Fires itselfAuto-invocation. Claude auto-loads it when your prompt matches the work.Auto-invocation is when the right skill fires by itself at the right moment, driven by a FLOW.md router and a hook, instead of you invoking it by name. It is the difference between a skill being installed and a skill actually getting used.Read the full definition →
- You can call itInvoke it directly when you want it.
- Slash command
/prose-revision-skill-ht-anthony-lee-zhang
Context preview
The summary Claude sees to decide when to auto-load this skill.
Revise draft prose by finding the best structure for the ideas the user already wants to express. The goal is clear logical movement supported by natural, elegant language: idea flow first, linguistic flow second. Prose revision is different from proofreading. Prose revision
SKILL.md
prose-revision-skill-ht-anthony-lee-zhang.SKILL.mdname: prose-revision-skill-ht-anthony-lee-zhang
description: "Revise draft prose by finding the best structure for the ideas the user already wants to express. The goal is clear logical movement supported by natural, elegant language: idea flow first, linguistic flow second. Prose revision is different from proofreading. Prose revision takes a relatively unpolished draft and gets the prose into good shape. Proofreading takes a close-to-done draft and catches mistakes, typos, obvious phrasing problems, and final copy-editing issues. Prose revision logically comes first."
Prose Revision
Default stance
Assume the user usually has the right set of ideas and wants help discovering the best structure for them. Revise aggressively at the level of order, emphasis, sentence boundaries, transitions, and paragraph shape, while preserving the substantive claims. The rule of thumb: aggressive on structure, conservative on content.
Flow operates at every level — sentence, paragraph, section, and whole — and the same discipline applies at each: get the ideas into the right order, and let each unit do one clear job, before smoothing the language inside it. The largest levels come first, because a paragraph that presupposes something established only later is an idea-flow problem that no sentence-level work can fix.
Before diagnosing structure, note the intended audience, the piece's purpose, and the desired tone, and preserve the author's voice and register. The goal is the author's ideas expressed more clearly, not a generic "clean" style imposed on top of them. When these are not stated, infer them from the text; ask only when the ambiguity is consequential and cannot be resolved from context.
Do not add or subtract ideas by default, and do not change their strength. Add a missing idea, remove an idea, or move an idea out of its unit only when it is clearly necessary for the unit to work — and when you do, make that intervention explicit. Preserve hedges and claim strength with the same care: do not turn "suggests" into "shows" or drop a load-bearing "may" for the sake of cleaner prose. Sharper wording must not quietly sharpen the claim.
If the draft is already clear and well-ordered, say so and make only minimal changes. Do not manufacture edits to look productive. "This already works; here are two small tightenings" is a valid response.
Treat an awkward sentence as evidence of a possible idea-flow problem, not merely a bad-English problem. A sentence is often awkward because it is trying to do two jobs at once, because the previous sentence did not prepare it, or because the unit's logical order is not yet right.
Workflow
1. Read the target prose and enough surrounding context to understand the local argument. 2. For anything longer than a paragraph, check the larger structure first: the order of paragraphs and sections, and whether each unit sets up the next. Fix that before working inside individual paragraphs. 3. Identify each unit's intended job: the claim, contrast, mechanism, qualification, implication, or transition it needs to deliver. 4. Diagnose idea flow before wording. Look for ideas in the wrong order, overloaded sentences, missing connective tissue, premature qualifications, buried main claims, or a final sentence that belongs earlier. 5. If the idea structure is what prevents good flow, explain that structural problem first. Do not try to solve structural confusion with surface polish. 6. Rearrange and repack the existing ideas into a clearer logical sequence. Only then make the language smoother, cleaner, and more elegant. 7. Offer revised versions when alternatives genuinely help, distinguished by how much they restructure (see Output style). Keep explanations concise and focused on why the structure works. 8. If the user asks you to apply edits, edit the source file rather than a generated copy, and preserve notation, citations, labels, author notes, and technical claims unless the user explicitly asks to change them. For academic or technical prose, make an explicit pass to protect precise terminology, claim strength, and technical claims.
What to improve
Prioritize changes that improve the reader's path through the ideas:
- Order the units so each one sets up the next, and put the main point where it can organize what follows.
- Split sentences that are doing multiple logical jobs; combine sentences when separation makes the logic choppy.
- Move qualifications after the claim they qualify, unless the qualification must come first for accuracy.
- Add transitions only after the underlying relation between ideas is clear.
- Replace vague connective language ("also," "moreover") with the actual logical relation: contrast, mechanism, implication, caveat, example, or consequence.
- Prefer precise, economical wording once the idea structure is sound.
Output style
For short interactive requests, usually provide:
1. A brief diagnosis of what is limiting the flow. 2. One to three revised versions. When a single revision is clearly best, give just that one; when alternatives make a real tradeoff, offer two or three, distinguished by how much they restructure:
- **Light** — same order, cleaner sentences.
- **Moderate** — resequenced ideas, adjusted emphasis.
- **Full** — unit rebuilt around the main claim.
3. A one-line note on the tradeoff, or on why a single version suffices.
For documents longer than about three pages, provide a structured revision report (diagnosis plus prioritized changes) unless the user asks for direct edits. Address the larger structure first, then work section by section, flagging the highest-leverage fixes first.
Keep line-level proofreading (typos, minor grammar) out of prose-revision responses unless it materially affects flow or clarity.
Worked example
**Draft:** "While it is important to note that the results are preliminary, and although the sample size was admittedly small, we found that the treatment grou
Read more
name: prose-revision-skill-ht-anthony-lee-zhang description: "Revise draft prose by finding the best structure for the ideas the user already wants to express. The goal is clear logical movement supported by natural, elegant language: idea flow first, linguistic flow second. Prose revision is different from proofreading. Prose revision takes a relatively unpolished draft and gets the prose into good shape. Proofreading takes a close-to-done draft and catches mistakes, typos, obvious phrasing problems, and final copy-editing issues. Prose revision logically comes first."
Prose Revision
Default stance
Assume the user usually has the right set of ideas and wants help discovering the best structure for them. Revise aggressively at the level of order, emphasis, sentence boundaries, transitions, and paragraph shape, while preserving the substantive claims. The rule of thumb: aggressive on structure, conservative on content.
Flow operates at every level — sentence, paragraph, section, and whole — and the same discipline applies at each: get the ideas into the right order, and let each unit do one clear job, before smoothing the language inside it. The largest levels come first, because a paragraph that presupposes something established only later is an idea-flow problem that no sentence-level work can fix.
Before diagnosing structure, note the intended audience, the piece's purpose, and the desired tone, and preserve the author's voice and register. The goal is the author's ideas expressed more clearly, not a generic "clean" style imposed on top of them. When these are not stated, infer them from the text; ask only when the ambiguity is consequential and cannot be resolved from context.
Do not add or subtract ideas by default, and do not change their strength. Add a missing idea, remove an idea, or move an idea out of its unit only when it is clearly necessary for the unit to work — and when you do, make that intervention explicit. Preserve hedges and claim strength with the same care: do not turn "suggests" into "shows" or drop a load-bearing "may" for the sake of cleaner prose. Sharper wording must not quietly sharpen the claim.
If the draft is already clear and well-ordered, say so and make only minimal changes. Do not manufacture edits to look productive. "This already works; here are two small tightenings" is a valid response.
Treat an awkward sentence as evidence of a possible idea-flow problem, not merely a bad-English problem. A sentence is often awkward because it is trying to do two jobs at once, because the previous sentence did not prepare it, or because the unit's logical order is not yet right.
Workflow
1. Read the target prose and enough surrounding context to understand the local argument. 2. For anything longer than a paragraph, check the larger structure first: the order of paragraphs and sections, and whether each unit sets up the next. Fix that before working inside individual paragraphs. 3. Identify each unit's intended job: the claim, contrast, mechanism, qualification, implication, or transition it needs to deliver. 4. Diagnose idea flow before wording. Look for ideas in the wrong order, overloaded sentences, missing connective tissue, premature qualifications, buried main claims, or a final sentence that belongs earlier. 5. If the idea structure is what prevents good flow, explain that structural problem first. Do not try to solve structural confusion with surface polish. 6. Rearrange and repack the existing ideas into a clearer logical sequence. Only then make the language smoother, cleaner, and more elegant. 7. Offer revised versions when alternatives genuinely help, distinguished by how much they restructure (see Output style). Keep explanations concise and focused on why the structure works. 8. If the user asks you to apply edits, edit the source file rather than a generated copy, and preserve notation, citations, labels, author notes, and technical claims unless the user explicitly asks to change them. For academic or technical prose, make an explicit pass to protect precise terminology, claim strength, and technical claims.
What to improve
Prioritize changes that improve the reader's path through the ideas:
- Order the units so each one sets up the next, and put the main point where it can organize what follows.
- Split sentences that are doing multiple logical jobs; combine sentences when separation makes the logic choppy.
- Move qualifications after the claim they qualify, unless the qualification must come first for accuracy.
- Add transitions only after the underlying relation between ideas is clear.
- Replace vague connective language ("also," "moreover") with the actual logical relation: contrast, mechanism, implication, caveat, example, or consequence.
- Prefer precise, economical wording once the idea structure is sound.
Output style
For short interactive requests, usually provide:
1. A brief diagnosis of what is limiting the flow. 2. One to three revised versions. When a single revision is clearly best, give just that one; when alternatives make a real tradeoff, offer two or three, distinguished by how much they restructure:
- **Light** — same order, cleaner sentences.
- **Moderate** — resequenced ideas, adjusted emphasis.
- **Full** — unit rebuilt around the main claim.
3. A one-line note on the tradeoff, or on why a single version suffices.
For documents longer than about three pages, provide a structured revision report (diagnosis plus prioritized changes) unless the user asks for direct edits. Address the larger structure first, then work section by section, flagging the highest-leverage fixes first.
Keep line-level proofreading (typos, minor grammar) out of prose-revision responses unless it materially affects flow or clarity.
Worked example
**Draft:** "While it is important to note that the results are preliminary, and although the sample size was admittedly small, we found that the treatment grou
A Claude Skill for revising draft prose — essays, papers, memos, reports — by finding the best structure for the ideas the author already wants to express. Its guiding principle is idea flow before linguistic flow.
Repo: Gabberflast/prose-revision-skill-ht-anthony-lee-zhang

